Tuesday, April 25, 2023

Fruition review by Stuart Kremsky

 mrstusrecordroom.blogspot.com/2023/04/ivo-perelman-matthew-shipp-fruition.html 

Monday, April 17, 2023

Ivo Perelman & Matthew Shipp: Fruition

Tenor saxophonist Ivo Perelman is not the kind of person who does anything halfway. His commitment to free improvisation, with no discussion or pre-conceived ideas, is total. He’s a hard worker, judging from the endless flow of new projects he’s involved with. One ongoing situation clearly energizes him: duets with pianist Matthew Shipp. Fruition is the eighteenth release by the Ivo Perelman & Matthew Shipp duo, and they’ve also played together in a variety of trio and quartet settings. Perelman says that the pair “believes it’s our best effort so far.” (Perelman is so prolific that I know that I won’t have the time to listen to all of them and judge for myself.) Fruition starts out in rapturous territory, with the stunning explorations of Perelman’s tenor and the utterly commanding piano of Shipp. It should go without saying that there’s not much point in even attempting to describe anything about the music. All I can say is that the power and conversational nature of these duets affect me in a profoundly soul-stirring way. By pure coincidence, I’ve just been reading China Miéville’s 2011 novel Embassytown. His speculative fiction concerns itself with an alien race who speak with two voices at once. Since they have no understanding of a single voice speaking to them, the humans who interact with them have evolved a system of ambassadors, paired humans who are so intimately connected that when they speak as one, the aliens understand them. The amazingly deep affinity that Shipp and Perelman continually exhibit in real time strikes me as a true-life manifestation of Miéville’s fascination with the very structures of language and thought. One factor, exposed here for perhaps the first time in Perelman’s massive oeuvre, is the resequencing of their improvisations, starting with Nine and concluding with Eleven. Whatever the criteria for this reordered batch of improvisations, Fruition is a thoroughly absorbing and fascinating display of two extraordinary talents at work and play. 

ESP-Disk’ ESP5070; Ivo Perelman (ts) Matthew Shipp (p); Brooklyn, NY, June 25, 2021; Nine/ Thirteen/ One/ Seven/ Fourteen/ Two/ Six/ Three/ Four/ Ten/ Eleven; 59:20.

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